The 16mm/35mm film scanner worked alongside the Arrilaser to support the increasingly popular digital intermediate route through postproduction. Īrri revealed its Arriscan prototype during IBC 2003. This technology was further developed and improved for the Arri Alexa camera.
The camera used a 35mm CMOS sensor (instead of CCD) and allowed cinematographers to utilize standard 35mm lenses. In 2003, Arri developed its first digital camera, the Arriflex D-20, which later evolved into the D-21. In 2000, Arri purchased the company Moviecam and developed Arricam, a 35mm camera platform. ĭevelopment of the Arrilaser, a postproduction film recorder, began in 1997 and it was released for beta testing in 1998. In 1998, Arri released the Ultra Prime lenses. Īrri partnered with Carl Zeiss AG in order to develop and manufacture advanced lenses for the motion picture industry. The Arriflex 535 camera was released in 1990, followed by the Arriflex 535B and the Arriflex 16SR 3 in 1992.
The Arriflex 765, a 65mm camera, was released in 1989, partly in response to the growing industry demand for 70mm release prints. The Arriflex 16SR, launched in 1975, featured a redesigned viewfinder with a through-the-lens light meter. Also in 1972, Arri pioneered the development of daylight luminaires with the Arrisonne 2000 W. The Arriflex 35BL followed in 1972 as a lightweight, quiet alternative to the rather heavy and cumbersome blimped cameras of the time. In 1965, a self-blimped 16mm camera was released: the Arriflex 16BL.
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In 1952, Arri introduced the Arriflex 16ST, the first professional 16mm camera with a reflex viewing system. The design was recognized with two Scientific and Technical Academy Awards in 19. Over the years, more than 17,000 Arriflex 35s were built. The first Hollywood film to employ an Arriflex was the 1947 Humphrey Bogart and Lauren Bacall film Dark Passage in 1947. The reflex design was subsequently used in almost every professional motion picture film camera and is still used in the Arri Alexa Studio digital camera. This technology employs a rotating mirror that allows a continuous motor to operate the camera while providing parallax-free reflex viewing to the operator, and the ability to focus the image by eye through the viewfinder, much like an SLR camera for photography. In 1937, Arri introduced the world's first reflex mirror shutter in the Arriflex 35 camera, an invention of longtime engineer Erich Kästner.
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In 1924, Arnold and Richter developed their first film camera, the small and portable Kinarri 35. The acronym Arri was derived from the initial two letters of the founders' surnames, Arnold and Richter. Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik.
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